OUR SERVICES
Whether collecting for your home, diversifying your investment portfolio, or assembling a corporate collection, ABXY understands the needs of each of our clients. Founder Allison Barker offers new and established collectors alike unique acquisition experiences, customized to suit their individual interests, aesthetic preferences, budgets and goals.
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Work with clients to establish and refine collection goals
Develop on-going list of artists for consideration
Identify acquisition opportunities (upcoming exhibitions, auctions and potential private market offerings by target artists)
Provide in-depth analysis of artists' primary and secondary markets
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Provide VIP access and personalized navigation of international art fairs
Coordinate customized global art agendas (including private gallery viewings, studio visits, and guided museum tours)
Secure access to works from the world’s leading galleries with strategic guidance and recommendations based on individual artist’s market as well as broader industry trends
Registration and bidding at auction*
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Negotiate pricing and sale terms
Coordinate post-sale logistics, including:
Domestic and international shipping and insurance
Framing
Professional installation
Storage
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Create and maintain digital database of client artworks (including up to date provenance and exhibition histories)
Continuously track markets of artists within clients' collections
Identify and facilitate exhibition opportunities (e.g. museum loans)
Identify and facilitate sale opportunities (per terms of original purchase agreement)
Assist in long-term care and conservation of artworks
Art library development
Hugo McCloud, Private Residence, Atlanta, GA
RECENT PLACEMENTS
RECENT PLACEMENTS
Kelly Akashi, Witness (Highview), 2026, Lost-wax and burn-out cast bronze, 20 1/2 x 4 1/2 x 9 in
Hugo McCloud, tended match, 2025, oil paint and single use plastic mounted on panel, 83h x 73w in
Camille Henrot, Gemini, 2017, Bronze, 13 3/4 x 15 3/4 x 5 7/8 inches
Jenny Holzer, irregular, 2024, 24k gold and red gold leaf and oil on linen, 24h x 18 1/8w in
TARA DONOVAN | Stratagem II, 2024 | CDs | 107 x 15 x 15 in
Olga de Amaral, Agua azul, 2018, Linen, gesso, acrylic and Japanese paper, 55w x 63h x 4in
Nick Doyle, I am Death, the Destroyer of Worlds, 2025, Neon light and dyed denim on shaped panels, 152.4 x 85.1 x 14 cm | 60 x 33 1/2 x 5 1/2 in.
Florian Krewer, Untitled, 2025, Oil on paper, 22 ½ x 15 inches
Tavares Strachan, Self Portrait (Day), 2023, Oil, enamel, pigment, and acrylic on mat board, powder coated steel frame, Ø 36 inches
Katherine Bradford, Blue Swimmers Under Two Moons, 2025, acrylic on canvas, 20 x 16 in
Ghada Amer, YELLOW AND BLUE, 2023, Embroidery and gel medium on canvas, 48 1/8h x 40 1/4w in
Anna Park, Dreamer, 2024, Charcoal, ink, paint, foam, paper mounted on panel, 70 x 94 x 4.25 inches
Cynthia Talmadge, Frank E. Campbell Autumn Evening, 2019, Oil on canvas in painted artist's frame, 14h x 11w in
Robert Nava, Bat with land for sale, 2024, Acrylic, crayon, and grease pencil on paper, 30h × 22w in
Anish Kapoor, Iridescent Pink, 2025, Stainless steel, lacquer, 59 x 59 x 9 in
Rashid Johnson (b. 1977), Corner Man, 2011, Mirrored tile, black soap, wax, paint, Unikat, 48 1/2 x 72 1/2 inches
Helena Foster, Bright One, Full of Light, 2024-2025, oil on linen, 78 3/4h x 55 1/4w in
Lisa Yuskavage, Giant Studio, 2024, Oil on wood panel, 9h x 12w in
Friedrich Kunath, Cancel Everything, 2022, Acrylic on canvas, 72h x 60w in
Adam Pendleton, Untitled (Days), 2023-2024, Silkscreen ink and black gesso on canvas, 84h x 101w in
Esteban Jefferson, Chambre Parentale, 2024, Oil and graphite on linen, 84h x 72w in
Nate Young, In Black Untime No. 8, 2022, Graphite on paper and vellum, archival tape and oak, 38h x 45 1/2w in
Corydon Cowansage, Blue, Red, Pink, 2024, Acrylic on canvas, 91h x 76w in
Mimi Lauter, Studio Window, 2024, Soft pastel and oil pastel on paper, 70h x 60w in
Jenny Brosinski, With Mixed Feelings, 2024, Oil, olive oil, oil stick, spray paint fabric on canvas, 63 3/4h x 104w in
Nengi Omuku, Waters Covered the Sea, 2024, Oil on sanyan, 65h x 46 1/2w in
Ryan Gander, Irresistible Force Paradox (Hellgruen 227), 2024, Aluminium, Automotive Paint, 70 7/8h x 48w x 2d in
Alejandro Piñeiro Bello, Tres Tiempos, 2021, Acrylic on canvas, 60h x 40w in
Tony Lewis, True Friends Are Hard To Come By (It’s Not Over Until I Win), 2023, Graphite, colored pencil, tape, rubber cement, and paper collaged on panel, 48h x 36w in
Sean Scully, Wall Tappan Deep Red 2025, Oil on copper, 27 1/2 x 27 1/2 in
Sayre Gomez, Inland Empire Safari, 2025 acrylic on canvas, 80 x 36 inches
William Copley, Untitled, 1965, Oil on canvas, 22 3/4h x 28 3/4w in
Robert Longo, Untitled (After Dali, Geopoliticus Child Watching The Birth Of The New Man, 1943), 2008, graphite and charcoal on paper, 22h × 22w in
Alfred Jensen, On The Oracle, Per. III, 1971, oil on canvas, 36h x 30w in
Sara Anstis, The Dollmaker, 2024, Pastel and thread on paper, 60 1/4h x 56 3/4w in
Brice Guilbert, Fournez, 2025, oil stick on wood, 39h x 47w in
Alexis Ralaivao, Ode à l'inanimé, 2023, oil on canvas, 78 3/4h x 51 1/8w in
Anna Zemánková Untitled (ocher/green), Mixed media on paper, 12 x 9 inches
Emil Sands, Ramblers, 2024, Oil on linen, 50h x 40w in
Bosco Sodi, Untitled, 2021, mixed media on canvas, 63h x 86 5/8w in
Joyce Pensato, L'Area Donald eyes!, 2000, Enamel on linen, 76.77h x 51.18w in
Kim Dingle, cake with bike, 2007, Oil on vellum, 40 ³⁄₄ in x 41 in
France-Lise McGurn, Soulblade, 2024, Oil and marker on canvas, 78 7/8h x 86 5/8w in
Sam Moyer, Clipping 3, 2024, Marble, acrylic on plaster-coated canvas mounted to MDF, 30 1/8h x 24 3/4w in
Ebony G. Patterson, …there is a rumble as the garden folds, rolls, shreds, devours…itself, 2021-2022, digital print on archival watercolor paper with hand-cut and torn elements, construction paper, plastic, feathers mounted on wallpaper, 96h x 109w x 15d in